How do we perceive and interpret forms & colours in mind?
Constellate: Perceive in terms of patterns rather than individually. Create a relational structure of the simply objective and turn them into a sensed natural phenomena.
Colour Intervals and Transformation
Transformation concerns colour intensity and light intensity showing equilibrium between contrast and affinity. By stepping up and down, it creates a special effect of transparence called film colour.
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| Colour interval |
Middle Mixture : Intersecting Colours
From the top - spatial illusion through connection and separation.
Last two - illusion of volume called fluting effect.
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| Spacing and relation between similar colours |
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| Free studies with 3 colour stripes |
The Bezold Effect
A method in which the colour combinations can be changed entirely by adding or changing one colour only.
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| Bezold Effect |
Free Studies
Practically, colour application has physical attributes of shape and size. Variations these inherent properties and other factors - recurrence and placement - are taken into account in the overall effect of their interactions. Hence, unlike notation in music and choreography in dance, colours' shapes and sizes does not necessarily directly related to tones. It is a more complex natural phenomenon which should be investigated in a qualitative manner through experimentation.
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| Failed attempt of free studies - No focus |
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| Free studies with music: Redbone by Childish Gambino |
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| Free studies with music: Fantômas by amiina |
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| Mouse Click |
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| Doors Opening and Closing |
Quantity
2 basic quantity questions:
size - extension in area
recurrence - extension in number
"Both measurements concern predominance and emphasis. They establish weight in space - and weight in time."
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| Quantity (animated to Get It On by T. Rex) |
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| Exploring Quantity in Circles and Squares |
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| Exploring Quantity in Rectangles |
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