KinoManual Experimental Workshop and Synthetic Sound

As major contribution to the development of my practical, the workshop has exposed me to the process of direct-on-film animation and Norman McLaren's synthetic sound.

Process of synthetic sound:
-drawing on the audio side of a film strip
-different shapes generates different sound

I have learnt that the queer aesthetic of direct-on-film comes with spontaneity and versatility of the mind. I felt more engaged with my thought when I do more and embrace the sensation of movements in free form animation. This humble pursuit preserves the organic quality within visual music.