Tuesday 14 November 2017

Tutorial 3

Change title to 'Importance of audio to animated performance or movement'

Tacit: understood or implied without being stated

Visual language
Chaplin economy of gestures
Wassily Kandinsky - Constructivist geometry and spiritual effect of colours
Don't bring up animated characters, just elemental figures, forms and animated composition

Visual Music
Principles of animation: acting or reacting which comes first?

Acoustic language
Dedicate a section about diegetic and non diegetic sound
Audio motives. melodic repetition.
Tacit language developed based on prior knowledge of acoustic properties such as timbre, minor/major key, pitch, layers of sound affects planes in visual composition.

Practitioners
Oskar Fischinger
Len Lye
Norman McLaren
Samantha Moore
John Whitney
Stan Brackhage (responding to organic noises)
Markus Waltz

(Contemporary ones)
Rainer Kohlberg
Steven Woloshen's Casino

Experimental Composers
William Basinski - Disintegration Loops
Keith Fullerton Whitman / Hvartski

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